Tuesday, January 1, 2013

(12/20/08) she died in her imagination

(Entered in paper journal at 10 AM at home in Brooklyn.)

Dream #1

I was in a (dark?) room with a woman or possibly the ghost of a woman. The woman appeared to be young and blonde, very pretty. But she was actually an old woman, or a woman who had died long ago. I stood as if between two rooms: one, in which this woman lay on a bed, and the other, a dark living room where some other woman (?), like the woman's attendant (?), sat in deep shadow.

The woman told me a story of how she'd known she was going to die. She'd had a disease like cancer and was in the final stages. I heard her story and "understood," at first, that she'd been asked to take a role in a film adaptation of a John D. MacDonald movie. I "understood" that the woman was at death's door and could hardly move when her final scene was shot.

I imagined the scene: a 1950s black and white movie. The woman, with long, dark hair, probably red, lying under a big, fur blanket, saying some final words. At some point the woman may have pulled down the blanket to expose her breasts. I "understood" that the final scene, which may have been a death scene, anyway, had been re-written so that the almost-invalid woman could act it out in her condition.

But then, as if time replayed itself, I "heard" the woman's actual "telling" of the story. The woman had always admired John D. MacDonald's novels and had wanted to act in an adaptation of one. But she had never gotten the chance. So, on her death-bed, she imagined herself acting out her favorite novel. This imagination was so powerful to her that it was almost like a reality to her. In fact, at the time of her death, she died "in her imagination," passing away as the character of the novel, in the final scene of the novel, rather than as herself in her bed.

When I heard this story I laughed. It was so heartwarming, and so quirky, somehow -- a Hollywood starlet passing away in a pulp novel fantasy. But then I began to cry. I thought of how much this work meant to her, and how tragic it was that this starlet never got to express herself fully.

As I cried, the room lit slightly. The light came from a small pool of water. The pool was where the woman's sickbed had been. The woman sat or stood or floated in the pool. She wore an elegant, green and white striped swimsuit. She was simultaneously modern and older styled. She had the poise and beauty of both Grace Kelly and a modern surfer girl.

The woman told me her name -- something like Jean Harlow or Jean Jordan. She told me I could find other movies she'd acted in by looking in an old (box or shelf?) of books she'd kept nearby. She may have embraced me.

I now stood in front of a bookshelf, looking through a stack of books. I knew I should get the titles of these books and then watch the movies with the titles. All the novels were extreme pulp novels: sci-fi, crime, even pornography. I assumed the film adaptations of these novels were all little-heard-of B-movies.

I had a handful of books but can remember only one cover clearly. A painting wherein a woman possibly in a yellow outfit, or maybe a yellow trench coat, was running across a deep green, shadowy background. The woman was looking over her right shoulder, as if panicked that something would attack her. The (very long) title ran across the bottom of the page -- something like: I Can't Use My ESP to Call the Martians Who Are Getting (Rescuing?) Me.

There were other crime books with covers painted in deep, ashy blues and grey-blacks. One may have used the derogatory term for black people in its title.

There may have been another person, probably a man, fumbling around in the books as well, trying to get a hold of all the books I was looking at.

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