Sunday, January 27, 2013

(1/20/08) art-books-feces; psychology: earth, cults, flying saucers

(Entered in paper journal at 8:28 AM at Flying Saucer cafe in Brooklyn.)

Dream #1

I was with my grandfather and a couple other family members in a room, like a small museum. I was looking out the window. The scenery outside was moving, like I was in a car. The scenery was like a cemetery. My family members and I were talking about how the exhibit we had seen was disappointing because it didn't employ the principles of recycling. Because of this, we argued, the exhibit lacked feeling.

We "passed" a hill that looked cut-away or sectioned so we could see the roots of the grass and a nearby tree. Something like a red glob or ball rolled along the hill, then merged into the ground. This, my grandfather said, was the one work of art he liked, because it employed the principles of recycling. The ball reappeared from the sectioned area of the hill and rolled down the slope and across the road, as if it were willfully coming toward the building, and toward me in particular.

We all looked away from the window. My grandfather said we were getting ready to leave. I now sat on a tall chair like a swivel chair that was as tall as a library or ladder, with rollers or wheels at the bottom. The room was warm and warm-colored.  In the corner of the room sat an old man who looked like the old version of the Tim Roth character in Youth Without Youth. He was like the curator of the museum.

The room was small but very elegant, modern. It was understated, except that on the walls were all kinds of art works and artifacts. A lot of them had the appearance of geode slices: the glassy, ringed, vivid-colored look. There were also a couple of tall, thin bookshelves along the walls.

Everybody else had pretty much left. I was following them. But I had to linger to see some of the items on the wall. There was something about their ordering which didn't seem completely satisfactory. But the pieces themselves were quite beautiful. Nevertheless, I felt bad liking the pieces because my grandfather had just commented how the pieces had no artistic quality.



I was still moving through the room on the tall chair. I went out the door, which was apparently tall enough to allow the tall chair through! I turned back before closing the door. I told the man in the corner of the room, "Goodbye, and thank you, Dr. Neuman." The man might have been reading a book. He waved very slightly, but kindly.

The door closed as I thought, Is that man's name really Neuman? I now saw a green and brass (?) nameplate on the door that said "Dr. Ed Neuman." I rolled (on the tall chair) down a ramping hallway to catch upp with my family.

I was now in a basement with my mother. I was standing on the floor, no longer sitting in the tall chair. My mom and I were heading toward a front door, but we were waiting for one or two more members of our family to catch up with us. In the meantime we were picking up and reorganizing a bunch of books that were on the floor.

I held some one-word-titled book by Mario Puzo. The cover was black, Puzo's name was lettered white, and the title (beginning with the letter "c"?) was lettered red.

My mom and I were talking about my grandfather, who sat upstairs, as if he were now sitting in Neuman's place. My grandpa was too sick and tired to see us out of the building, but he had been very happy to see us. After seeing us, he even felt like he had more energy.

My mom said, "We should tease him and tell him that if he has so much energy he should come down here and help us rearrange these books! No, I'm just kidding. We don't want him to feel bad or obliged. If he did come down here, the physical work would really hurt him."

I sat on a couch piled with books. Before me were books. I held a book in my hand. My mom may still have been talking. I looked at the book's binding. The top gave the last name of the author: Ligasa or Lisaga.

A band below the name showed a painting of a woman like Liberty in Delacroix's painting of the French Revolution. The woman was charging forward and carrying a flag. But she was looking backward, as if calling the troops, instead of looking forward like in the painting.

I looked at the back of the book, mainly because I somehow caught the name "Freud" on the back or the binding of the book. Apparently the book was by a Latin American author, and was thus acclaimed. The description of the book went something like, "A Native American is wounded in the war" (World War I?) "and looks back on his life. The works of Sigmund Freud have put forward the idea that a person's experiences of his past are not linear but move back and forth through different time periods."

A boy who was supposed to be my second oldest nephew sat to my left. He was a black boy, maybe ten or eleven years old. My mom said something like, "He's finally having less trouble going to the bathroom."

My nephew told me, "I go to the bathroom every morning. I know the pieces of poop when they come out of me. I even know their names. But I'm not like other people. I know their names before they come out of me. I meet them at night. I see them, and I know what shape they'll be. I tell them, 'XXXXX, you aren't going to stay in me! You are going to get out!'"

I could tell my nephew was afraid about having to do this, but that he was proud that he was able to do it. He seemed to need urgently to tell me about this.

We all headed out into a hallway which (now) led to the front door. The hall was white, perhaps with marble floors and walls and a red carpet.

Somewhere there might have been a weird, futuristic-looking altar-type structure, very tall, made out of an aluminum-like substance. The legs were tin rods that supported a wide "bowl" topped with a flat disk that had a hole in its center. This "bowl" was filled with my nephew's feces, as if each piece he had gotten rid of were saved here and treated as sacred.


Dream #2

I was looking through a list of courses to take at a college like a community college. There was a specific philosophy class I wanted to take because it seemed to discuss issues I had currently been involving myself in. But I saw that there was a prerequisite course to this course. I thought, Why should I have to take a prerequisite? I'm not taking this class to get a degree. I'm just interested.

But I looked at the prerequisite course anyway. It was called "Psychology: Earth." It was a short course and was done by video. I now saw that after this course I'd have to take even another course before I could take the philosophy course I'd wanted. This other prerequisite course was called "Psychology: Cults and Flying Saucers." It was also a video course.

No comments:

Post a Comment