(4/11/09) graveyard/shooting; lone men and mobs

(Entered in paper journal at 8:31 AM at Connecticut Muffin in Windsor Terrace, Brooklyn.)

Dream #1

It was daytime. I was in a car with my family. The blue sky was possibly webbed over with thin clouds, dimming the overall light. My mom was probably driving the car. We were driving down a mountainside road, into a small valley between two mountains. The valley was part of a range that extended far in the distance to my left. We were arguing about where we were, as if either this landscape wasn't a certain kind of landscape or as if we were heading in the wrong direction.

 We now approached the valley. At the base of the slope opposite us were tallish headstones, all of orange-tan stone, mainly shapes like square columns with smaller spheres on top. I made some comment about this place being a cemetery, as if that proved we were or weren't in the right place.

We turned right and drove through the valley. I looked to the right (I had been in the backseat on the driver's side, but I wasn't quite there now) to see monumental, white headstones. There were gigantic heads springing out of columns like flowers; headstones of double-men, from the torso up, reaching out and looking forward; and other similar headstones, all in a style like an Art Deco imitation of Hellenistic sculpture.

The size and odd style of these headstones gave me an ominous feeling, as if where we were was a prophetic indication of something bad that would happen to us.

We now drove among headstones. We drove past (to our right) a tall headstone of greyish stone, like a pedestal displaying a large sculpture of a man, not unlike the torso-men, driving a chariot carried by two horses. The sculpture almost seemed alive to me.

Now, along both sides of our car, a group of "horses" ran up from behind us, then running ahead of us, turning a slight left, as we would, with the road, toward a tallish, arched, pale tan-orange stone gate.

The horses were pale slate colored, with a deepening grey on their sides, and with their sides dappled with black spots. Their legs were, however, long and spindly, so that their bodies stood perhaps ten feet above the ground. They were ridden or guided by a group of people who may have been wearing yellow and red silk clothing. I again thought that all of this was ominous.

There was now a view, of which I was, at first, not necessarily a part, of a man giving a speech to a large audience. The speech the man gave was like an Oscar acceptance speech. But it was also supposed to be like a political speech.

The man was about six feet tall, a little heavy, wide-faced, slightly balding on the forehead, but distinguished looking, with red hair, a short, red beard, and glasses. The man wore a nice, pale coffee colored suit with a cream colored shirt. Behind the man was a satiny, purple curtain. The man stood behind a podium.

Suddenly, someone shot the man. Now it was like I was the man. In a series of reveries (like I was in a half-waking state, rather than a dream state) I wondered to myself how bravely I'd act if I really were shot. I wondered whether I'd flinch or maybe scream in a high-pitched voice.

I thought that perhaps I'd take the shot alright, but that if I fell and the person who had shot me were to proceed to attack me physically, I might, in my death throes, thrash about and flinch like a weakling. I also thought that if I were attacked, and the person who shot me were straddling me and pummeling me physically, I might sit up and attack him with all my strength.

But I thought that even then, I'd lose my realistic consciousness, like the police officer (Bannerman?) did in the Stephen King novel Cujo, and imagine that I was fighting on, while really I had fallen back down and was rolled onto my left side, dying.

I, as the man, was lying down. My head had been shot. I was lifted onto a stretcher and into a bunh of material like a gauzy blanket. The people who carried me may have been Mexican boys or young men.

I was carried into an "operating room," which looked more like a run-down barber shop. It had purple-painted walls and unpainted, uncovered, concrete floors. I sat in a barber's chair, possibly before a mirror, though I couldn't see my face.

All this time people had been telling me not to move but to stay awake. They may also have been telling me not to speak. I had also not been allowed to be part of a certain aspect of all the action that had been taking place around me.

But now the group of people had placed on my head a wrapping of gauze as thick as a helmet. With this "helmet," which went over the crown and sides of my head and under my chin, with a strap across the middle as well, to go over my nose, the people now told me, "Okay," as if I were now "allowed" to be fully conscious of all the events around me.

I could feel blood gushing down from the crown of my head and down along my left ear. The blood felt cold, but it was like a fresh gushing, like it had just begun.

I was placed in a wheeled chair, something like a cross between a wheeled hospital bed and a dentist's chair. There were people carting me along, people carting things like IV bags along, and people walking backwards before me. We walked toward a doorway to an "operating room" (?).

The people walking before me kept telling me to stay awake. They kept asking me questions to keep me talking. I wondered why they were making such an effort to keep me awake. I thought, I'm doomed, anyway. I might as well lose consciousness now, and either die or wake up with irreversible brain damage.

Dream #2

I was with my brother in a "movie theater lobby," which was a lot more like a cafe, except with the dim lighting of a bar, and the feeling that this room was in a much larger building, like a big shopping mall or an airport. The light was dim orange-yellow, like candlelight.

I was in the ticket-taker's line. I noticed my brother was over at the "concession stand." I walked over to him, awkwardly, like I'd suddenly realized I should be with my brother, although I still actually wanted to stay in the ticket-taker's line.

I looked into a cafeteria-style glass case displaying desserts. There were a lot of things that looked like brownie squares with layers of some kind of pale brown "chocolate" cream in them. Some of the brownie squares had their top layers out of shape like they were stale, so that the old brownie layer was bending upward at the corners. Some of the brownie squares, however, looked very fresh and appetizing. I couldn't decide what I wanted.

A man who was black or Hispanic, or both, stepped between me and my brother. The man was about my height, wiry-muscular, with a tight face. He had shaggy, curly, pale brown hair, that was kind of long, but not quite down to his shoulders. He wore a tan cap and blue-reflective sunglasses. He had a mustache. He wore a beige windbreaker.

The man started making weird comments to me about how tough it was for someone like him to come here and see movies. He then made a comment like, "It's really tough when there are all these fags here, isn't it?"

I thought the man was half-thinking I'd agree with what he said, but that he also half-thought I was gay and that I'd stand up for myself and other gay people by starting a fight with him. I just backed away from the man, figuring that other people had heard him, and not wanting other people to think that I was with this guy or that I agreed with what he was saying.

I had stepped backward and out of the line for the "concession stand." But I thought, I didn't really need to eat anything, anyway. I'll just wait for my brother. I ended up standing behind a table that held one or two tallish, cylindrical, chrome coffee makers and a couple baskets of different-colored tea-packets. I even ducked behind it.

But now the man turned in my direction and shouted out, "But what's even worse than that is the spics, isn't it?"

I knew there were a lot of Hispanic people here, and that I had to stand up against the man's racial slur about Hispanics.

I stood up as tall as I could. My head peeped up about halfway over the coffee makers. I said, "Oh, yeah?!"

I thought I'd say something else. But I looked around to see that all the Hispanic people in the place were staring at me, like I was also responsible for what the man had said. Everybody, disappointed in me, may simply have dropped me from their minds.

The people now turned and ran out of the place, as if the man had run out before them and they were now chasing him. I ran along with everybody else, trying to prove myself to them.

We all ran through a series of balconies, like the indoor balconies in an office building or hotel. The balconies had red carpet and light-colored, wood railings. There were stairways going up and down. Balconies randomly turned and intersected.

The group of people stopped in their chase while heading up a small staircase. I was at the back of the group. As the group started moving forward again, a black man, tall, wide, wearing black jeans, a black, leather jacket, a backward cap, and slightly tinted, round eyeglasses, jogged down the steps.

As the man went past me (I stood still, like a straggler), he swung his arm out and grabbed my right leg, around the calf, skimming and swinging along on it like it was a handrail, to annoy me. He hustled off confidently, thinking I'd do nothing.

I turned and ran off after the man. I was going to catch up with him and fight him. But he was now ahead of me and apparently running himself. He ran along a balcony and then into a glass-walled corridor that ran alongside the balcony he'd just run through (so that he'd run in a hairpin curve). I followed him through the corridor, which was kind of stuffy and fluorescent-lit.

The man then turned down a narrow, grey-walled, fluorescent-lit hallway. I was about to follow him down this hallway, but I saw that he was heading into a doorway on the left wall. The door was automatically locking, with a number punch-code fixture over the knob. Another person, a tallish, thinnish, black man wearing a red polo shirt, let the man in.

I could tell this was the back entrance for a restaurant. The man was coming to work. I knew that I probably wouldn't be able to get past the locked door. But even if I got past the door, I thought, I'd have to deal with a whole group of men ready to fight me, instead of just the lone man.

(9/21/09) bathroom painting; sharks and whales

(Entered in paper journal at 7:51 AM at Red Horse cafe in Brooklyn.)

Dream #1

I was in an auditorium, at least halfway back in the rows of seats. The lights over the seats were off. The lights over the stage were coldly bright. I'm not sure I could see the stage. The seats were about average height, but it also seemed like they were too high for me to see over.

The audience was milling around, getting into their seats, the auditorium only half full and not populated in any orderly fashion. The row I sat in was taken by a group of people of which I was a part.

To my left, either right next to me or one seat removed, was a black woman, probably in her early or mid twenties, with straight, blonde-brown hair. The woman told me that this meeting was a rally against cancer. This excited me, and I expressed my approval, after having previously thought we were here for something silly.

But when I expressed my approval, the man sitting to my right, who looked like one of my old Americorps co-workers, SC, told me, "Hey, why don't you go to the bathroom? Didn't you say you needed to go?" I knew the man was just doing this because I had just connected with the girl. The man was jealous of me and wanted to get me out of the picture.

But I acquiesced and went to the bathroom. For a moment I was in the bathroom by myself. The bathroom was kind of run-down, possibly painted in somewhat vivid sea-green and tan-orange, and lit by incandescent light. I may have urinated in a urinal the base of which was on the floor and the body of which extended up the wall to about chest height.

I was now in a room with my psychiatrist A. The room was like an artist's studio. The floor was concrete. The walls were greyish white and maybe thirty feet tall. There were two large paintings: one, lying propped against the wall in front of me; the other, hung high up on the same wall.

A stood on a big, thick, wooden ladder, level with the painting that was hung on the wall. The painting may have had a lot of reds and oranges in it, as well as some purples. A was pointing to the painting and asking me something.

I kept worrying that A would fall off the ladder. The rungs of the ladder seemed wobbly, like bicycle pedals or buckets (?) on the wheel of a watermill. It didn't look like they'd be easy to stay balanced on. I felt bad that A should put herself at such risk just to show that she had this kind of artistic sensibility, and that she was doing this all just to show that she cared about my emotions and what I said.

Dream #2

I stood out on some cliff overlooking a beach. The sky above may have been a buzzy grey, with low, warm, pale clouds. The whole place felt very lonely. There was some kind of storm happening, even though it wasn't raining. But now the level of the sea rose greatly, almost overtaking the cliff I stood on.

I may have seen a weird sea creature swim, belly-up, in the water. I may have thought of the creature as a shark or a whale. But its flesh was all torn and pink, like that of a mutilated animal.

I may now have been in the water, looking back at the cliff, which was a wedge of boulders. The cliff looked like it shouldered above the water pretty well now.

The water was grey and slick. Waves would surge up and slam over me. The waves seemed large in the distance. But by the time they got to me, they seemed much smaller. But each wave that hit me seemed to be larger than the last. The last wave that hit me was just as large as it had been in the distance. I was very scared watching the wave loom over me.

I now stood in some futuristic room, looking out a bubble window at the night sea, possibly from a vantage point near a port. A pretty, blonde woman, a little taller than I, stood to my right. She was talking about the fact that people had been seeing a lot more creatures in the sea lately. As she said this, a whale's back humped up above and then back down below the surface of the water.

I said to the woman, "Look! A whale!"

The woman said, "Yes, I know. I've seen them before."

The whale's tail now broke above the water, coming straight up, then flapping back down, almost on the window.

"The same" whale now jumped out of the water, maybe twenty feet above the surface of the water, revealing itself to be a killer whale. It didn't make sense to me that this could be the same whale. The whale we'd seen before had been much larger than this killer whale.

We looked down into the water, as if the bottom half of the bubble-window were now below the surface of the water. We saw a shark. Another shark, which looked like a small whale, swam up to the window -- as if the whole window were now underwater! The shark laughed at us in a human, high-pitched voice, to scare us.

Another shark, with lobed shapes along its body, in shadow (?), swam straight up the window and beyond -- as if we were now deep below the surface of the water. I called this last shark a hammerhead. This shark also laughed a very scary, human-sounding laugh as it passed us. This laugh was a hunting tactic, used to scare prey out of hiding, perhaps.

The woman and I were now speaking about something, possibly about the killer whale and the sharks and something about differentiation.

I was now scuba diving underneath a futuristic sea vessel or submarine. I was with three other people. all of whom were ahead of me. The floor of this part of the sea was just below us, and the underside of the vessel was just above us. I swam with my belly up toward the vessel.

I was still speaking, somehow, with the woman. I said something about being able to prove the differentiation we'd been speaking about. Just then a shark that looked like a small killer whale floated over me. I thought, That proves it. But I was also afraid that the shark had passed so close to me. I thought, But if you aren't afraid of the sharks, aren't the sharks nice to you? Don't they even play with you sometimes? But now the shark was gone.

I swam forward, looking down to the floor of the sea. I knew that the person directly ahead of me was an older man, thin, tall, with longish, grey hair and pale, blue eyes, possibly wearing glasses as well.

We were now all apparently swimming down here without oxygen tanks. The man ahead of me was running out of air, but he didn't want to make this known to the two people ahead of him: a woman (maybe the one I'd been speaking with) and a young, black boy.

The man said he had to go back and check on something. But I knew he was going back to the entry hatch to get some air. I saw that before he turned around he stuck his mouth to a white and yellow device that looked like a water fountain.

The man was now gone. But I was now running out of air. I turned to head back to the hatch. As I did I saw the device the man had used. It was basically an "oxygen fountain." When a person stuck their mouth to the device and released a valve, the device would release oxygen, which the person could then breathe in. I noticed that these little valves were placed at pretty even intervals along the bottom of the vessel, so that oxygen could be obtained as needed.

But looking at these fountains, which were like white, plastic shields or basins with yellow, plastic nozzles, I noticed that they were dirty, grimy looking, or grown over with algae. I thought, I'm not going to stick my mouth around that! I thought I'd go back to the entry hatch and try to find something that would enable me to preserve my oxygen so I wouldn't need to use these oxygen sources.

For instance, I remembered a packet the old man had: a metallic-pink, thin, square package, like the shape of the wrapper for Pop-Rocks candy. The man had opened this package and pulled out a pink tissue that looked like a wet-nap napkin. He had then chewed this tissue like gum, I remembered. This tissue had then either produced oxygen or allowed the old man to preserve the oxygen already in his system.

I thought that using this tissue was kind of like cheating on the man's part. But I also thought it was reasonable. I wondered if I couldn't find something like that to use. But I also wondered how the woman and boy could just keep on going and going without needing oxygen. Why were they so good? Or what was wrong with me?

I was now in the entry hatch, which looked somewhat like the stairwell up from the basement at the house my family lived in when I was in my last three years of high school (and when I was seven and eight years old), except that it was painted in a warm, tan-orange color.

I looked around for a while for oxygen tanks. I couldn't find anything, and I felt like even I actually did find oxygen tanks, I'd probably feel to guilty and ashamed to wear them, anyway. I thought that I'd look for some of that oxygen gum, or smaller "devices" like that. If I couldn't find anything like that, I'd at least wander around here for a little while and catch a few breaths before going back into the water.

I wandered into a messy kitchen. There were a few people, mostly young kids, in the kitchen. A motherly woman sat before the stove with a young, black boy. There was some kind of barrier, almost like police tape, around the stove and the area where the woman sat and the boy stood. The boy sat in a wooden chair, his feet against the door of the oven. On the front right burner boiled a pot of chocolate. The chocolate was being prepared for fudge.

The woman, who might now have been my mother, and the boy both looked at me as I entered the room. Another small, white child placed, possibly in a crib, near my right leg. I knew the woman and boy knew me. I waved at them. The boy just looked at me like I was a piece of shit that didn't deserve his attention. He looked back to the stove.

I was so scared by the boy's look that I shyly walked past the boy and the woman. I thought to myself, Great. Now I can't even come to see my mother without some black guy getting in my way. (???) I walked through the kitchen, to the other doorway, which would probably have led to a living room or dining room.